The Chilean opera singer Ramón Mario Francisco Vinay Sepúlveda was born on August 31, 1911 in Chillán. He died on January 4, 1996 in Puebla, Mexico. January 2021 will mark the 25th anniversary of his death.
During his vocal training he sang mainly bass parts from 1930, but then made his debut in 1931 with the baritone part of Don Alfonso in Donizetti’s opera “La favorita”. From 1931 to 1944 he sang mainly at the Teatro de las Bellas Artes in Mexico City and on Mexican radio.
After switching to tenor, he made his debut in 1943 as Don José in Bizet’s opera “Carmen” and in 1944 for the first time in the title role in Verdi’s “Otello”. In 1946 he made his debut at the Metropolitan Opera, in 1947 at La Scala, in 1950 at the Royal Opera House Covent Garden and in 1952 he appeared as Tristan for the first time at the Bayreuth Festival. After switching to the baritone again, Vinay sang numerous roles in Wagner operas as well as in Tosca, Otello, La Traviata, Aida, Carmen, Pagliacci and La Bohème.
Ramón Vinay is best known for four legendary interpretations: the title role in Verdi’s “Otello” under the direction of Arturo Toscanini (1947); Tristan in “Tristan und Isolde” under the direction of Herbert von Karajan (1951) as well as Siegmund in “Walküre” and the title role in “Parsifal” under the direction of Clemens Krauss (1953).
Ramón Vinay gave his farewell performance on September 22, 1969 at the Teatro Municipal in Santiago in Verdi’s Otello, where he took over the baritone role of Iago in the first two acts and was on stage in the third and fourth act in the tenor role of Otello.
The video shows Ramón Vinay with Pedro Vargas in the 1943 film “Fantasia Ranchera” under the musical direction of Manuel Esperón.
Ludwig van Beethoven
Ludwig van Beethoven was baptized on December 17th, 1770 in Bonn and died on March 26th, 1827 in Vienna. December 2020 will mark his 250th birthday.
Ludwig van Beethoven is one of the most important composers of all time and is still one of the most performed composers in the world today. In addition to the world-famous symphonies and piano works, the opera “Fidelio”, the “Missa Solemnis” and numerous chamber music works, Beethoven also created numerous small pieces of music. Out of this oeuvre one small piece that every piano student has probably played before, is standing out: the short, rondo-like piano piece in A minor (WoO 59) “Für Elise” composed in 1810.
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The video from 2019 shows the Chinese pianist Lang Lang (* 1982) with his interpretation of “Für Elise”. Of the piece, Lang Lang says: “For me it is very romantic, and light, like a feather. It has to come from nowhere and it has to touch people. It can’t just be treated as background music. I’ve tried to play the piece as the masterpiece that it is, and I hope that children who begin learning ‘Für Elise’ will treat it the same way.”
The Irish tenor John McCormack was born on June 14, 1884 in Athlone, Ireland; he died on September 16, 1945 in Dublin. September 2020 will mark the 75th anniversary of his death.
John McCormack received his first musical training as a member of the Palestrina Choir of Dublin Cathedral. He studied in Milan and made his debut in Savona in 1906 in the opera “L’Amico Fritz” by Pietro Mascagni. In 1907 he received an engagement at the Royal Opera Covent Garden in London, where he triumphed
in 15 different roles until 1914. Guest appearances took him to the Manhattan Opera House in 1909 and to Chicago, Philadelphia and the Metropolitan Opera in New York in 1910, where he was also engaged in 1912–1914 and 1917–1918. In 1911 he went on a tour of Australia with the world-famous Australian soprano Nellie Melba. Due to the huge success at his concerts, he withdrew from the opera stage in 1923 and only sang in concerts in which he also performed Irish folk songs. In 1938 he gave his farewell concert at London’s Royal Albert Hall, but still appeared occasionally at charity concerts during World War II.
Alongside Enrico Caruso and Beniamino Gigli, John McCormack was considered the most important tenor of his time. Caruso held him in high esteem and saw him as his greatest rival. The great popularity made John McCormack one of the best-earning classical stars of his time. His recordings were real sales hits.
“O Danny Boy”, written by Frederic Weatherly in 1910, is sung to the old Irish folk tune “A Londonderry Air”. The song was part of the standard repertoire at the concerts of John McCormac.
The Italian composer Pietro Mascagni was born in Livorno on December 7, 1863. He died in Rome on August 2, 1945. August 2020 marks the 75th anniversary of his death.
Mascagni broke off his music studies with Amilcare Ponchielli because it was too dry for him. Instead he initially joined a traveling opera company and in 1885 he became conductor
of the municipal orchestra in Cerignola. This engagement left him enough time to compose. For his first major opera “Guglielmo Ratcliff” (1888) he did not find an opera house that wanted to perform the work. In 1889 he took part in an one-act opera competition by the Italian music publisher Sonzogno with “Cavalleria rusticana”. The opera received first prize and when it premiered was one of the greatest successes in music history. Overnight Mascagni became the star of the Italian opera scene and with the royalties for “Cavalleria rusticana” he had no financial worries until the end of his life. He composed several other operas that were highly valued by connoisseurs and he also was able to premiere “Guglielmo Ratcliff” with great success in 1895, but for the general public and posterity “Cavalleria rusticana” remained the composer’s unreached stroke of a genius.
Alongside Ruggero Leoncavallo and Giacomo Puccini, Pietro Mascagni is one of the most important representatives of verismo.
The Portuguese singer Amália da Piedade Re-bordão Rodrigues was born in Lisbon on July 23, 1920. She died on October 6, 1999 in her hometown. In July 2020, her birthday turns 100.
Amália was one of ten children of a poor green-
grocer. As a young girl, she helped to sell fruits in the Alcântara docks. In 1939 she started her career as a Fado singer in the nightclub “Retiro da Severa”.
In 1944 and 1945 she was on tour in Brazil, where the first of her more than 170 recordings took place. Her international breakthrough came in the 1950s with the song “Coimbra”, written by Raul Ferrao in the late 1930s. The song later became a worldwide success under the title “April in Portugal”. In the 1940s and 50s, Amália Rodrigues also starred in about a dozen films.
Amália Rodrigues, the “Queen of Fados”, is considered the most important Fado singer. Through her worldwide tours and numerous television appearances all over the world, she shaped the international image of this genre like no other.
The video shows Amália Rodrigues at her last concert in Lisbon. A week before her death in September 1999, she reinterpreted the song “Coimbra”, with which she achieved her international breakthrough in the 1950s.
The Estonian composer and music educator Heino Eller was born on March 7, 1887 in Tartu. He died 50 years ago on June 16, 1970 in Tallin.
Heino Eller received violin lessons as a child. From 1907 he studied violin, composition, music theory and law in Saint Petersburg. From 1920 to 1940 he taught composition and music theory at the higher music school in Tartu and shaped the so-called “Tartu composition school” during
this time. From 1940 until his death, Heino Eller was a lecturer at the State Conservatory in Tallinn, today’s Estonian Music and Theater Academy. The focus of Eller’s compositional work was on instrumental music. He is considered the co-founder of Estonian symphony and chamber
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music.In his work, he was inspired by traditional Estonian folk tunes as well as impressionism, expressionism and other music trends of the 20th century. Frédéric Chopin, Edvard Grieg and Jean Sibelius also influenced his work. Eller’s oeuvre comprises three symphonies, several symphonic pieces, a violin concerto, five string quartets, four piano sonatas, two violin sonatas and over 200 smaller pieces.
The video shows the Estonian National Symphony Orchestra conducted by Risto Joost with Heino Eller’s orchestral piece “Kodumaine viis” (homeland melody). Soloist: Age Juurikas (piano), recorded at the Laulupidu (Song Festival) 2019 in Tallinn.